
Based on the Weidenfeld Lectures at Oxford, this book blends fiction and literary criticism through the perspective of a narrator mourning a deceased partner. The narrator reads a series of unfinished lectures left behind by the departed lover, which categorize art into four distinct headings: On Time, On Form, On Edge, and On Offer. These reflections examine how Charles Dickens handles clock-time, the way Greek myths endure through translation, and the physical presence of Oliver Twist. The narrative depicts the ghost of the deceased lover appearing in the house, literalizing the way dead authors and past artworks continue to haunt and interact with the living present.
Readers interested in the mechanics of storytelling and visual art read this to understand how different creative mediums overlap. It appeals to those who study the history of the novel and cinematic technique, providing a framework for seeing literary structure as a fluid, living thing rather than a static academic subject. The reader gains a perspective on how aesthetic experiences provide a bridge between the solitary act of reading and the universal reality of loss.
- Published
- 2012
- Language
- EN