
Salman Rushdie recounts the decade he spent living under a fatwa issued by Ayatollah Khomeini following the publication of The Satanic Verses. Writing in the third person, Rushdie adopts the alias Joseph Anton—a name derived from Conrad and Chekhov—to document his life in police-protected safe houses. The narrative details the logistical strain of constant surveillance, his negotiations with the British government, and the international diplomatic crises triggered by his fiction. He chronicles the internal politics of the literary world and the personal toll the hiding took on his marriages and friendships.
Readers interested in the intersection of free speech and religious extremism read this memoir to understand the reality of state-sponsored threats against art. It appeals to those seeking a firsthand record of the transition into an era of globalized fundamentalism. The audience finishes the book with a granular perspective on the limitations of security and the bureaucratic complexities of protecting a public figure. They gain an unvarnished view of how a writer maintains an intellectual identity while being reduced to a security protocol.
- Published
- 2012
- Language
- EN