
Set in the early 1970s New York rock scene, this oral history follows the rise and fracturing of an unlikely musical duo. Opal Robinson, a bald, Black avant-garde singer from Detroit, partners with Nev Charles, a quiet white British songwriter. Their trajectory changes during a 1971 showcase hosted by Rivington Records, where a staged protest involving a Confederate flag escalates into a riot that leaves a Black musician dead. Decades later, music journalist Sunny Curtis investigates the secrets behind that night and the group’s planned reunion.
Readers of music history and cultural criticism will find a detailed simulation of the industry’s internal mechanics. The book provides a technical look at how record labels manufacture images and how systemic racism dictates who survives a scandal. It appeals to those interested in the intersections of fashion, protest art, and the archival process. The reader walks away with a clear understanding of cultural appropriation in rock and how private traumas are commodified for public entertainment.
- Published
- 2021
- Language
- EN