
The Princess Saves Herself in This One (Women Are Some Kind of Magic, #1)
Amanda Lovelace structures this poetry collection into four distinct sections: the princess, the damsel, the queen, and you. The verses document a life shaped by childhood neglect, the death of a mother, and the aftermath of being silenced in abusive relationships. By subverting traditional fairy tale archetypes, the poems trace a transition from victimhood to independence. Lovelace uses short, lowercase stanzas to describe eating disorders, self-harm, and romantic betrayal, eventually pivoting toward the discovery of personal agency and the decision to live without waiting for a rescuer.
This book serves readers who have endured domestic trauma or deep grief and seek a vocabulary for their survival. It attracts those interested in modern feminist poetry that prioritizes directness over metaphor. Readers finish the collection with a sense of permission to prioritize their own well-being over social expectations of female passivity. The text provides a framework for recognizing one's own internal strength and offers a mirror for those rebuilding their lives after significant loss or harm.
Insights from The Princess Saves Herself in This One (Women Are Some Kind of Magic, #1)
“the princess / jumped from / the tower / & she / learned / she could / fly / all / on / her / own.”
Waiting for a prince is a death sentence. You have to be the one holding the sword when the tower starts to burn.
“be / your / own / hero.”
You are allowed to burn down the versions of yourself that others created. Start over as many times as you need.
“i / lived / a / thousand / lives.”
Reading is more than a hobby when your house is on fire. Books are the only exits that actually work.
“the / monster / was / never / under / the / bed.”
Abuse leaves a specific kind of silence in a room. Breaking that silence is the only way to breathe again.
- Published
- 2016
- Publisher
- CreateSpace
- ISBN
- 9781532913686
- Language
- EN